Morgan, New Jersey

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Archive for May, 2010

Posted by Verne James on May 9, 2010

Morgan Momentos – World War I Victory Lamp

World War I “Victory Lamp” Advertisement.

Desk of Mr. D. W. Vanderbilt of New York City from the Snead & Co. Sales Brochure. Image Courtesy of Mr. Robert “Nick” McWhorter of Springfield, KY.

In late 2009, I stumbled across a “Victory Lamp” on an auction site on the internet.  I had never heard of such a thing and no one I knew in the area of Morgan, where and when I grew up there, had one or likely knew about them either.  Yet all the “Victory Lamps” assembled and sold by Snead and Company of Jersey City, NJ shortly after the Great War, later renamed to “World War I”, originated in Morgan, NJ.     

Before we go much further, an enormous “Thank You” needs to go to Mr. Robert “Nick” McWhorter of Springfield, KY.  Mr. McWhorter was kind enough to mail me not only photos of his Victory Lamp but copies of the original advertising brochures and assembly instructions his aunt, Thelma McIntyre, kept after she purchased Victory Lamp #822 for $18.40 in 1919 ($3 down payment, $3 a month for four months with a $3.40 final payment).  Mr. McWhorter was also kind enough to send a copy of a draft of a letter his aunt hand wrote to Snead & Co. regarding the lamp and a short bio about her.  She was quite an accomplished lady: Legal Secretary, Medical Technologist in the Women’s Army Corps (WACs) during World War II, College Professor then Laboratory Head at two hospitals before getting married at 57, retiring, and living to over 100! This documentation, which survived 91 years only because of the thoughtfulness and thoroughness of his aunt, greatly helped me gain a full understanding of the history of the lamps, tie some disparate research together, as well as provided some interesting “threads” to look into further.     

The essence of these lamps, and their main component, was a 75mm artillery shell recovered from the remains of the beyond enormous series of explosions at the Morgan, NJ based T. A. Gillespie Loading Company plant. This catastrophe (to be featured in a future posting) started in the early evening of October 4, 1918 and went on for something like three horrifying days.  The gigantic “Morgan Plant” was quickly built in 1918 to load explosives, e.g., Trinitrotoluene (TNT) and Amatol (TNT mixed with Ammonium Nitrate), into a wide range of sizes of artillery shells and casings for use by the US and its allies during World War I.     

Another distinct feature of the lamp was the lampshade which was designed specifically for the lamp by a noted artist of the time (see posting from May 9, 2010).  Snead and Company offered three options for how the lamps could be lit. Though pretty much unheard of these days when purchasing a table lamp for the home, these options were probably typical for the time period.  You could choose between either electric, kerosene (oil) or gas (not gasoline). My mother still remembers the gas street lamps which were installed on her street in Jersey City in the early twentieth century. San Diego, California features a “Gas Lamp District” celebrating the days when lighting was done by gas.  Berlin, Germany has many thousands of gas lights illuminating the city.     

Mr. McWhorter’s World War I “Victory Lamp”.
Mr. McWhorter’s World War I “Victory Lamp”. Photo Courtesy of Mr. Robert “Nick” McWhorter of Springfield, KY.

The Lamp     

This unique and original lamp was composed of the following components:     

  • Open top lamp shade patterned with specially designed art work.
  • The 75mm artillery shell.
  • Hardware to accommodate the light source option chosen: electric, oil or gas.
  • Statuary finished spun brass base.
  • Label on the bottom of the brass base.

The lamp in its entirety was patented by Angus S. MacDonald, Assignor to Snead and Company, in order “to prevent unscrupulous imitation” and so “… none but GENUINE “75’s” saved from the Morgan explosion will be used or CAN be used.” There were actually two patents for the lamp, one had the open top lampshade, and the other had a doughboy helmet as a lampshade. Filed for on March 6 and 14, 1919, respectively, patent numbers 53,224 and 53,225 were issued on April 22, 1919.    

"Victory" Inscription     

The Shell
As stated, all the shells were recovered from Morgan after the explosions and reworked by Snead & Co. As per the brochure, “the economic conditions arising from the sudden stoppage of our war-work that made it possible, for the only time in the history of Snead & Co. (or of any other firm for that matter), to let their employees busy themselves with the fashioning of these shells into lamps and made possible their sale at less than HALF what a lamp of this class would cost.”     

The Inscriptions
The Snead & Co. artisans modified each shell in preparation for the lamp. Two engravings were made on each shell. The first one, located about half way down the shell, indicated “VICTORY NOV 11, 1918 75 M/M SHELL”. The second, significantly longer, was engraved on the copper driving band which is located about a fifth of the way up from the bottom of the shell and completely encircles it. This second inscription is from Isaiah 2:4 in the Old Testament: “They shall beat their swords into plowshares and their spears into pruning hooks; nation shall not lift up sword against nation, neither shall they learn war any more.”  Each 75mm shell was then finely polished and finished with dull ebony black baked enamel.     

Biblical Inscription on the Copper Driving Band     

The Lamp Shade
It appears that there were ultimately two types of lamp shades offered. The first lamp shade type featured a metal doughboy helmet. Quite likely this was the shade provided with the first lamps made available. The second one had an open top and was composed of Strathmore Vellum Parchment. The art work on the open top lamp shade was designed by Franklin Booth, a noted period artist best known for his stylized ink line drawings which captured the “feel” of wood engravings (see posting from May 9, 2010).  It was open on the top to allow for the venting of the burned oil or burned gas and, as the brochure states, “to allow light to be reflected from ceiling”. The helmet version was more suitable to the electric version it would seem.     

Franklin designed the lamp shade to have a different mood depending on whether the lamp was lit or unlit.  Without light, the shade portrayed a war scene.  With light, the lamp transformed to a scene of peace. This was done by having artwork both on the outside of the lamp shade as well as the inside. Franklin utilized design and color to create this transformation.  The antique tan and brown shaded drawings on the outside of the lamp and the rose colored tinted drawing on the inside of the lamp, while different, were designed to overlap when lit.     

Each shade was hand sewed and hand colored.     

Snead Label     

The Label
One of the things to look for if you buy a Snead & Co. Victory Lamp is a paper label on the bottom of the brass base.  The label says:     

75 M/M VICTORY LAMP
Manufactured by the Snead & Company (some added “Iron Works” and some didn’t).
Founded 1849   Jersey City, NJ
This lamp was made from a genuine U.S. Government French-American 75 M/M Shell saved from the Morgan explosion.
Snead Lamps are patented as follows:
April 22, 1919   May 10, 1919   June 3, 1919
Other patents pending     

Of all the lamps sold on the on-line auction sites (e.g., eBay, Manions, Worthpoint), and they have been showing up at the rate of around one per month, they have all been electric and I have not seen one which still had the original Franklin Booth shade available. I did see one which had the doughboy helmet though.     

Interestingly enough, while most everyone in 1919 was familiar with what the “Morgan explosion” was, by the time 2010 came along, most people had no idea – including many who live in Morgan.  Hopefully this web site will help change that.     

Snead Ad from June 20, 1903     

Posted by Verne James on May 9, 2010

Morgan Momentos – Franklin Booth & the “Victory Lamp” Lamp Shade

Franklin Booth Illustrated “Victory Lamp” Lamp Shade

Franklin Booth Illustrated “Victory Lamp” Lamp Shade from the Snead & Co. Sales Brochure. Image Courtesy of Mr. Robert “Nick” McWhorter of Springfield, KY.

Franklin Booth
Franklin Booth Illustrator of the “Victory Lamp” Lamp Shade. Snead & Co. Sales Brochure Image Courtesy of Mr. Robert “Nick” McWhorter of Springfield, KY.

The story goes that Franklin Booth (1874 – 1948) taught himself his characteristic art style by reproducing wood-engraved images from magazines while growing up on his family’s Carmel, Indiana farm located just north of Indianapolis.  Not realizing his error of mistaking wood carvings to be pen and ink drawings until later in life, he mastered the technique and made a career with it.  His style, composed of thousands of individually hand drawn lines for each illustration, has been described as “amazingly detailed photo-like pen and ink illustrations”, “lofty, soaring feel of immense vertical space” and “trees, clouds and landscapes that lie somewhere between whimsy and dream.” 

Snead & Co. Iron Works (see posting from May 9, 2010), the company which produced and sold the World War I Victory Lamps (see posting from May 9, 2010), teamed up with Franklin Booth to create a unique lamp shade to complement their unique lamp which featured a 75mm artillery shell recovered from the remains of the disastrous explosions in Morgan, NJ. 

Booth was able to make a living as a commercial artist by illustrating for magazines, books, catalogs, telephone books and advertising.  During the Great War (World War I), he was very active in creating posters for the Red Cross and, sadly, death certificates for soldiers killed during the war.  With these credentials, it seems natural that he would team with Snead & Co. to create a commercial illustration with a “Great War” theme.  Hence the lamp shade.  

Like the lamp, the lamp shade was eventually patented.  Filed for on August 13, 1919, patent number 54,642 was issued on March 9, 1920.  The patent was applied for by both Angus S. MacDonald and Franklin Booth who were both listed as “Assignors to the Snead & Co Iron Works, of Jersey City, New Jersey.”  The essential portion of the patent reads “The design consists in applying ornamentation to one side of the shade depicting war scenes, and ornamentation on the inside of the shade in the nature of emblems or figures, representing peace. When the lamp is not lighted, the war scenes only are visible, but when the lamp is lighted, the representations of peace are projected through the shade giving the effect of peace beginning to shine on the scenes of battle.” 

The advertising brochure potential buyers received by mail gave additional insight into Booth’s selection of the images contained on the lamp shade, ‘Booth went for his inspiration to the famous prose-poem of the late Senator Ingalls: “Grass is the forgiveness of nature-her constant benediction. Fields trampled with battle, saturated with blood, torn with the ruts of cannon, grow green again with grass, and carnage is forgotten ….” In this shade as Booth has created it you see that beautiful sentiment made REAL. You see the grass and trees, as only Franklin Booth can draw them, covering and healing the marks of war, while in the clouds when the lamp is lighted, the superb figures of Victory and Peace stand forth triumphantly.’ 

Franklin Booth was a great artist who inspired many who followed.  Here are some sources for more information about Franklin Booth and his extraordinary art work: 

Books: 

Franklin Booth: Painter with a Pen by John Fleskes and Roy G. Krenkel.
Franklin Booth American Illustrator by Manual Auad 

FaceBook Page: 

http://www.facebook.com/group.php?gid=29847564686 

Web Sites: 

http://en.wikipedia.org/wiki/Franklin_Booth
http://www.fuelyourillustration.com/5-great-draftsmen-franklin-booth/
http://withaviewto.blogspot.com/2009/02/fantastic-color-works-by-franklin-booth.html
http://goldenagecomicbookstories.blogspot.com/search/label/Franklin%20Booth
http://www.esteyorgan.com/franklinbooth.htm
http://www.fleskpublications.com/galleries/booth/
http://www.comicartfans.com/SearchResult.asp 

Lamp Shade Art Work.
Franklin Booth’s “Victory Lamp” Lamp Shade Art Work from Patent Number 54,642. On Left: “Peace” Scene Illustration on the Inside. On Right: “War” Scene Illustration on the Outside.
Posted by Verne James on May 9, 2010

Morgan Momentos – World War I Victory Lamp Specifications

World War I “Victory” Lamp Specifications.

World War I “Victory” Lamp Specifications. Image Courtesy of Mr. Robert “Nick” McWhorter of Springfield, KY.

Posted by Verne James on May 9, 2010

Morgan Momentos – Snead and Company Iron Works

Snead Stationary Logo.

Snead Stationary Logo. Image Courtesy of Mr. Robert “Nick” McWhorter of Springfield, KY.

Illustration of Snead Book Stack and Shelving.
Illustration of Book Stack and Shelving Manufactured by Snead & Co. Iron Works.

It wasn’t clear to me how Angus S. Macdonald, who is listed as the “Assignor to the Snead & Co Iron Works, of Jersey City, New Jersey” on the patents for the World War I Victory Lamp, Cigarette Tray and Lamp Shades, related to Snead & Co. Iron Works, the company which manufactured and sold the World War 1 “Victory Lamp” (see posting from May 9, 2010).  It all became quite clear when I discovered his middle name was “Snead”.  Further more, it turned out that Angus Snead Macdonald was the president of Snead & Co Iron Works from 1915 to 1952.

So what is the history of the company which brought us the unique “Victory Lamp”?  Let’s start at the beginning.  Snead and Company Iron Works was founded in 1849 (per a 1919 Snead advertisement) or established in 1851 (per an 1891 Snead advertisement) in Louisville, Kentucky subsequent to the 1849 purchase of the site and building(s) of the former Market Street Architectural Iron Foundry by Samuel P. Snead.  Originally Snead manufactured “Structural and Ornamental Iron Work for Buildings”.  In the days before steel became the material of choice for building construction, cast iron became increasingly popular because of the cost and strength advantages it had over masonry, e.g., significantly less cast iron was required to support the same amount of weight thus allowing for more compact and aesthetic building designs. Some of the types of iron components Snead manufactured in its first 50 years include: Iron Fronts, Stairways, Railings, Bank Vaults, Grates, Elevator Cabs, Marquees, Store Fronts & Windows, and Man Hole Covers. Of particular note, Snead provided the 897 step stairway in the Washington Monument going from the bottom to the top.

Full StackAccording to the book “The Louisville Guide” by Gregory A. Luhan, Dennis Domer and David Mohney, “The Snead & Company Iron Works was one of the most noted manufacturers of iron buildings and ornamental fronts in the country.”

After a fire destroyed the original Snead building(s) in 1898, the company and brothers Udolpho (Vice President) and William Snead (General Manager) relocated to New Jersey. Volume 16 (August 1900) of the industry periodical named “The Foundry”, included a short notice stating that “The Snead Iron Co. have nearly completed their plant in Jersey City, N.J.” Mean while back in Louisville, the current eight-story building (The Snead Manufacturing Building) was built and by 1910 occupants started moving in.  Today this building on Market Street is registered on the National Register of Historic Places and is located right around the corner from the Louisville Slugger Museum and Factory.  An excellent write-up of the history of The Snead Manufacturing Building in Louisville is contained in the National Register of Historic Places Nomination Form.

It was interesting to learn that Snead & Co Iron Works, prior to the time of the Morgan explosion – and subsequent to it as well, was likely best known for their excellent library “cast iron book stacks”.  Based on their client base, they were probably the preeminent manufacturer of library book stacks in their day.   When the Thomas Jefferson Building of the Library of Congress was constructed, Snead was selected to provide the book stacks which would hold the 43 miles of shelves for a planned 2,000,000 volume collection. Interestingly enough, while researching and writing about Snead and the Library of Congress, I watched “National Treasure 2 Book of Secrets” and caught a snippet of Snead shelving in one of the scenes in the Library of Congress.

Harry Elkins Widener was a 1907 graduate of Harvard University and a book collector. After he lost his life on the Titanic, his mother Eleanor Elkins Widener donated $3.5 million to the university to build a library with her son’s name.  Snead was selected to provide the book stacks and shelves for this component of the largest university library system in the world which completed by 1915.  Per Cahal Stephens, the Principal-in-Charge of the 1999-2004 renovation and restoration of the 10-level self supporting stack system which, with its 57 miles of bookshelves, holds 3.25 million of Harvard’s collection of 14 million volumes, “The book stack’s design is typical of the information storage systems of the early-20th century – cast iron with a dense structure and low headroom. This was a system patented by Snead Iron Works, and was very common in libraries built during the period, including the New York Public Library. It was very efficient for storing large numbers of books, but the passageways are very narrow and the elevators were tiny – certainly not up to modern code.”

Snead Advertisements.Here is a list of some of Snead’s other prestigious customers:

  • Vatican Library
  • New York Public Library
  • Stanford University Library
  • Colombia University Library
  • Cornell University Law Library
  • Denver Public Library

Here is a link to a fantastic illustrated book, written by Snead & Co entitled, “Book Stack and Shelving for Libraries”.

By 1918, Snead & Company Iron Works had an address in Jersey City, NJ (the one on the “Victory Lamp” label) and by 1922 they also had an address in the Flat Iron Building in New York City (175 Fifth Avenue).  You’ll note this address in the February 1922 “Victory Lamp” Decorative Arts League advertisement.

It seems that by 1946, Snead & Company was in dire financial straits and Mr. Macdonald was involved with some type of law suit.  Click here to read a summary of it.  Every time I try to read it, my eyes glaze over so there is no summary of it here.  Perhaps one of our readers will some day provide a concise summary of its legal mumbo jumbo…

By the early 1950’s, Snead & Co. Iron Works was no longer in business.

Posted by Verne James on May 9, 2010

Morgan Munitions – Anatomy of a 75mm Artillery Shell

This posting is one of a series associated with the World War I “Victory Lamp”.  Please come on back to this posting in a few days after it has been completed!

Posted by Verne James on May 9, 2010

Morgan Munitions – The Great and Terrible “75”

Image of the French "75"

The October 4, 1918 explosion started in Building 6-1-1, the building where 155mm shells were loaded with a 50/50 mixture of TNT and Amatol (an explosive mixture of TNT and ammonium nitrate) in preparation for shipping to the front lines in France.  The subsequent explosions at the T. A. Gillespie Loading Company plant in Morgan, NJ finally stopped a few days later though sadly only after nearly 100 people died.  Shells of all sizes were loaded in this less than one year old plant then shipped to France.  By the time of the explosion, 32,000 shells a day were loaded at the Morgan plant.  The plan, when the facility was fully constructed, was to be able to eventually load in excess of 50,000 shells per day.  It is said that six months worth of munitions across many calibers were destroyed in that frightful three day period. In other buildings in the facility, 75mm artillery shells were specifically being loaded for the “75”, one of the most advanced weapons of the day.  After the war, many of the surviving and undamaged 75mm shells were converted by Snead & Co. of Jersey City, NJ into table lamps (see 9 May 2010 posting).

It was officially known as “Matériel de 75mm Mle 1897” but commonly referred to as the “75”. Designed by a French arsenal at the end of the eighteenth century, the “75” was used by both France and its eventual ally, The United States, during the conflict ultimately to become known as World War I.  It was the most advanced field gun of its day and probably the most numerous field gun used in the conflict with some 17,000 having been manufactured.

What set this weapon apart from all the others of its day was principally its hydro-pneumatic recoil mechanism. This was significant since the hydraulic system absorbed the energy of the recoil after firing.  When used in combination with its wheel anchors and tail spade, the cannon would return to the exact same position it was in before each shell was fired. Field guns without these two features would move backwards after each shell firing making accuracy only a dream.  With the “75”, the gun crew could fine tune where the fired shell would explode after each firing. Not having to return the field gun to the previous position with the corresponding necessity to reaim also allowed for the rapid firing of the weapon.  A good crew could fire in excess of 15 shells per minute. Older and other artillery guns of the day, which didn’t stay in place after firing, could maybe get two rounds shot per minute.French "75"Illustration of the Right Side of the French “75”

Here are some links for further information on the famous French “75″:

Posted by Verne James on May 9, 2010

Morgan Munitions – Give ‘em an Artillery Shell from Morgan, Harry

This posting is one of a series associated with the World War I “Victory Lamp”.  Please come on back to this posting in a few days after it has been completed!

Posted by Verne James on May 9, 2010

Morgan Momentos – World War I Victory Ash Tray

  

World War I “Victory” Ash Tray

World War I “Victory” Ash Tray. Photo Courtesy of Mr. Robert “Nick” McWhorter of Springfield, KY.

In addition to the Victory Lamp made from “unbruised” 75mm artillery shells, Snead & Co. Iron Works of Jersey City, NJ offered another unique remembrance of those who lost their lives in the Morgan based T. A. Gillespie Loading Company explosion of 1918.  Composed of the lower portion of the shell from just above the copper driving band, the ash tray also features an engraving commemorating the victory in Europe but with a slightly different order than the lamp. 

Also like the Victory Lamp and lamp shade, the ash tray was awarded a patent.  Patent number 53,397 was filed on December 4, 1918 – exactly two months after the explosions which started on October 4th – and awarded on June 3, 1919. 

Here is the majority of the text from the patent application: 

Be it known that I, ANGUS S. MACDONALD, a citizen of the United States, residing at Great Neck Station, in the county of Nassau and State of New York, have invented and produced a new, original, and ornamental Design for an Ash-Tray, reference being had to the accompanying drawings, which form a part of this specification. 

My invention relates to an original design for ash trays and resides in the shape or form of the same being novel in its contour and in the arrangement of its ornamentation, as is clearly shown and fully illustrated in the annexed drawing…“ 

Thanks again to Mr. Robert “Nick” McWhorter of Springfield, Kentucky for sharing photos of his grandfather’s Victory Ash Tray with us!

Posted by Verne James on May 2, 2010

Notable Morgan Residents – Commodore Thomas Anderson Conover

USS Constitution

My Son Sean at Age 10, at the USS Constitution in Boston, MA.

Regarding Morgan’s Bayview Manor (see April 24, 2009 posting), according to the testimony of Captain Oliver A. Phelps, an officer in the Bureau of Ordnance at the 1919 Subcommittee of House Committee on Appropriations of the US House of Representatives, “It was build by an old sea captain at a place where it commanded a view of a wide sweep of the ocean [he meant bay], clear around to Sandy Hook and all that section of the ocean. That was built by an old sea captain by the name of Conover.” 

OK, so who was Captain Conover? 

According to what records I am able to find on the internet (I live in California and do research for an area in New Jersey so I can’t just pop over to the South Amboy Library), Thomas Anderson Conover died in South Amboy, NJ on September 25, 1864.  Note that as of 1864, Morgan was part of South Amboy.  Sayreville, the borough which Morgan is part of, didn’t separate from South Amboy until 1876. South Amboy now borders Morgan to the north (and provides postal service to Morgan). Being that the population of South Amboy was 4,000 in 1886 (7,913 in the year 2000) and Thomas Anderson Conover had been in the US Navy for over 50 years and commanded a number of naval vessels, it seems most probable that he was the “old sea captain by the name of Conover.” How many old sea captains by the name of Conover could there be in a city with a population of under 4000? 

Thomas Anderson Conover was born in nearby Monmouth, NJ on April 17, 1791 to James Conover and Margaret Anderson Conover.  

Since we’re on the topic of population, according to the 1790 census, the first census of the newly formed United States and the year before he was born, there were 184,139 inhabitants of New Jersey including 11,423 slaves.  In South Amboy specifically, there were: 

  • 642 Free white Males of 16 years and upwards, including heads of Families.
  • 597 Free white Males under 16 years.
  • 1196 Free white Females, including heads of families
  • 8 All other free Persons.
  • 183 Slaves
  • 2626 Total number.

We’ll get to his naval career in a moment – first his family.  

He married Elizabeth Juliana Stevens on July 31, 1821.  Don’t know where they met or got married.  Elizabeth was the daughter of Col. John Stevens and Rachel Cox.  John Stevens is significant in New Jersey history for many reasons; the most significant relating to Morgan is that he was the visionary that initiated the creation of the Camden and Amboy Railroad. The “Amboy” in this name is South Amboy. While her brother Robert Livingston Stevens was sailing to England to purchase the locomotive now known as the John Bull (which in a way ultimately inspired me to pursue the history of Morgan/South Amboy which in turn lead to the creation of this web site – see the posting from August 19, 2009), he invented an improvement to the railroad track which is still in use today through Morgan and all around the world, the T-rail.  Robert and another brother, Edwin Augustus Stevens, constructed the Camden and Amboy Railroad – the first railroad in New Jersey – which began limited operational service on October 1, 1832. As a matter of interest, her third brother, John Cox Stevens, was the main player in the New York Yacht Club syndicate which designed, built and raced the yacht ‘America’ around England’s Isle of Wright. That race, run on August 22, 1851, was later named for the winning yacht and is now known as “The America’s Cup”. 

Stevens Institute of Technology in Hoboken, NJ was started by an endowment from Elizabeth’s brother Edwin Augustus Stevens after he died in 1868. Some point of time in the early 1800’s the Stevens family lived in South Amboy in a mansion known as Mount Sterling somewhere near present day Christ Church. 

John and Elizabeth Conover had five children.  You’ll note that three of them had “Stevens” as their middle name, a practice still done today by descendents of famous families: 

  • Francis Stevens Conover, 1822 – 1901
  • Mary Rachel Conover, born 1826
  • Caroline Conover, born 1830 – 1875
  • Richard Stevens Conover, 1832 – 1912
  • Sophia Stevens Conover, 1835 – 1914

The following are some highlights of Commodore Conover’s 50+ year Naval Career: 

  • Joined the US Navy as a Midshipman on Jan 1, 1812, just five months before the beginning of the War of 1812.  This was well before the US Naval Academy was established in Annapolis, Maryland in 1845. His first cruise at sea was on the frigate Essex during the war.
  • Commanded the gunboat Borer during the second battle of Lake Champlain in 1814 during the War of 1812. 
  • Served on the Frigate Guerriere (named for a British ship sunk by the US Frigate Constitution in 1812) in the Mediterranean.
  • Commanded the Frigate John Adams starting in the mid 1830s.
  • Captain of the USS Independence starting in mid 1849 as part of the Mediterranean Squadron ironically under the command of a senior officer named Charles Morgan.
  • Assumed command of the USS Constitution on September 18, 1849, after the previous Captain died in Palermo, Italy, until January 16, 1851. Constitution’s nickname is “Old Iron Sides” and it is the oldest commissioned vessel afloat in the US Navy and also the world. It is berthed at Pier 1 of the former Charlestown Navy Yard in Boston, Massachusetts and is available for visitors.
  • Commanded the African Squadron starting in 1857 on board the flagship USS Cumberland. The purpose of the African Squadron was to suppress the slave trade by intercepting ships ferrying captured Africans from the western coast of Africa.  Ron Soodalter, in his book “Hanging Captain Gordon: The Life and Trial of an American Slave Trader”, gave a scathing account of Commander Conover’s time while in command of the African Squadron, “After 26 months at sea, Conover had spent fewer than 26 days on active patrol of the Slave Coast. He arrested but one slave ship…” Note that during the Civil War, the USS Cumberland became the first wooden ship sunk by the new technological wonder the ironclad CSS Virginia (which was built from the remains of the USS Merrimack). This sinking happened the day before the ironclad USS Monitor battled with the CSS Virginia in the world’s first battle between ironclad ships. One other piece of trivia regarding ironclad ships, brothers-in-law Robert & Edwin Stevens designed an ironclad ship for the US government at their Hoboken, NJ estate years before the Civil War.
  • He was one of the first officers to be promoted to the newly created rank of Commodore on July 16, 1862.

Commodore Conover died at age 73 in 1864.  Elizabeth Conover far outlived her husband.  She died in 1912 at age 114 – just 15 days short of her 115th birthday. 

We don’t know yet exactly when Bayview Manor was built. I must presume that present day Conover Street in South Amboy was named for the Commodore.